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Hans Holbein d. J.; Ein Narr betrachtet seine Marotte; 1515

“Shakespeare and Puppet Play: Performing Objects in Early Modern and Contemporary Staging,” forthcoming in Shakespeare/Play, ed. Emma Whipday, Arden Shakespeare Intersections series, eds. Farah Karim-Cooper, Sonia Massai, Gordon McMullan, and Lucy Munro (Bloomsbury Arden, 2024).

“Monsters and Machines: Puppets as Performers, Props, and Stages in English Political Pageantry,” forthcoming in Early Modern Performance Beyond the Public Stage: Extra-Theatrical Forms and Spaces, eds. Amrita Sen and Jennifer Linhart Wood (Bloomsbury Arden, 2024).

“Puppet Theater” and “Folly,” forthcoming in the Routledge Encyclopedia of the Renaissance World, ed. Kristen Poole (2024).

“Prop Culture: The Shakespearean Clown and His Marotte,” Shakespeare Quarterly 72.1 (Summer 2021 [publ. 2022]): 126-46. *Winner ASTR Gerald Kahan Scholar’s Prize. *Winner, UNIMA-USA Nancy Staub Award.

“Iago and the Clown: Disassembling the Vice in Othello,” Shakespeare Survey 75 (2022): 137-47.

A puppet Interpreter, British Museum

“Puppet Theater and the Interpreter Role,” NextGenPlen plenary, Shakespeare Studies 48 (2020), 152-8. [PDF] *Selected for the SAA’s annual NextGenPlen plenary panel in 2019**

“King Lear“ and “Measure for Measure“ in How to Teach a Play: 75 Exercises for the College Classroom, ed. Miriam Chirico and Kelly Younger (Bloomsbury 2019), 78-83. [PDF]

“Puppet Performance and Collaborative Critique: Ben Jonson’s Models of Literary Interpretation,” Studies in English Literature, 1500-1900 59.2 (Spring 2019): 281-304. *Winner of the Medieval and Renaissance Drama Society’s Martin Stevens Award for the best new essay in early drama studies.*

“Patchwork Play: Nineteenth Century Toy Theater and Participatory Media Culture,” Nineteenth Century Studies 30 (2017-19[publ. 2019]): 25-43. Special issue on “Patchwork, Cut-and-Paste, and Reassembly,” ed. Casie LeGette. [PDF]

ART 265172 (size M)

Book Review: Robert Armin and Shakespeare’s Performed Songs. By Catherine A. Henze. New York and London: Routledge, 2017. Early Theatre 23.1 (June 2020).

Book Review: Shakespeare’s Two Playhouses: Repertory and Theater Spaces at the Globe and the Blackfriars, 1599-1613. By Sarah Dustagheer. Cambridge: Cambridge University Press, 2017. Theatre Survey 59.3 (September 2018): 423-5.  [PDF]

Digital EEBO-TCP Editing: Folger Shakespeare Library’s Digital Anthology of Early Modern English Drama